front cover of Emerson in His Journals
Emerson in His Journals
Ralph Waldo Emerson
Harvard University Press, 1982

This long-awaited volume offers the general reader the heart of Emerson’s journals, that extraordinary series of diaries and notebooks in which he poured out his thoughts for more than fifty years, beginning with the “luckless ragamuffin ideas” of his college days.

Emerson as revealed in his journals is more spontaneous, more complex, more human and appealing than he appears in the published works. This man is the seeker rather than the sage; he records the turmoil, struggle, and questioning that preceded the serene and confident affirmations of the essays. He is honest, earthy, tough-minded, self-critical (“I am a lover of indolence, & of the belly”), warm in his enthusiasms, a witty and sharp observer of people and events. Everything is grist for his mill: personal experiences, his omnivorous reading, ruminations on matters large and small, his doubts and perplexities, public issues and local gossip. There are abrupt shifts in subject and tone, reflecting the variousness of his moods and the restless energy of his mind.

Drawing from Harvard’s sixteen-volume scholarly edition of the journals—but omitting the textual apparatus that makes it hard to read—Joel Porte presents a sympathetic selection that brings us close to Emerson the man.

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Emerson
Prospect and Retrospect
Joel Porte
Harvard University Press, 1982
Published to mark the centenary of his death, this book helps us take measure of the work and influence of one of America's foremost thinkers, Ralph Waldo Emerson. These nine essays attempt both to come to terms with Emerson's modernity and to look back at his origins and development. They suggest how extensively Emerson is linked to the present and show how firmly he was rooted in America's past. Though Transcendentalism has often been considered synonymous with aloofness and high-minded abstraction, the essays show that Emerson in fact aimed at the greatest possible inclusiveness in his own thought and writing. His work constitutes a great storehouse of reflection on every subject conceivable to a capacious nineteenth-century imagination; it continues to invite criticism proportionate to its own scope.
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